{"id":1172,"date":"2024-05-06T09:18:28","date_gmt":"2024-05-06T08:18:28","guid":{"rendered":"https:\/\/nadarosaschroer.xyz\/marisa-merz-von-erbsen-und-engeln-copy\/"},"modified":"2026-09-22T16:21:16","modified_gmt":"2026-09-22T15:21:16","slug":"introducing-alice-peragine-detect-and-avoid","status":"publish","type":"post","link":"https:\/\/nadarosaschroer.xyz\/de\/introducing-alice-peragine-detect-and-avoid\/","title":{"rendered":"Introducing Alice Peragine: Detect and 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M\\u00e4rz 2019<\/span><\/span><\/p><p class=\\\"_extra\\\">Einf\\u00fchrung in das Werk von Alice Peragine mit anschlie\\u00dfendem K\\u00fcnstler:innengespr\\u00e4ch<\/p>\",\"type\":\"text\"},{\"cont\":\"<p>Im Er\\u00f6ffnungsmonat widmete sich der KUNSTRAUM 53 dem Ph\\u00e4nomen des obsoleten Raums und untersuchte die ungeplante Nutzlosigkeit leerstehender Ladenfl\\u00e4chen und B\\u00fcrogeb\\u00e4ude im Hildesheimer Stadtraum. Das Programm hinterfragte, wie k\\u00fcnstlerische Interventionsformen in diese ungenutzten R\\u00e4ume eingreifen und sie als Orte performativer Potenzialit\\u00e4t aktivieren k\\u00f6nnen.<\/p><p>Zur Er\\u00f6ffnung entstanden Performances von Alice Peragine (SIDEWALKS to SUPERIMPOSE) und Rizki Resa Utama \/ OQ (Hello, what\\u2019s your name?). Peragine erforschte performativ die r\\u00e4umlichen Bedingungen des Ausstellens. Durch den Einsatz von Malervlies und Fotohintergrundpapier schuf sie einen prozesshaften \\u00dcbergang vom \\u00f6ffentlichen Raum in die Galerie, in dem entschleunigte Bewegungen und physische Spuren das Fl\\u00fcchtige mit kontrollierten Rahmenbedingungen verschr\\u00e4nkten.<\/p><p>Parallel dazu thematisierte Rizki Resa Utama die Wechselbeziehungen zwischen Raum, menschlichem Verhalten und kultureller Identit\\u00e4t. Seine Performance band die Besucher:innen in einen Akt des Kennenlernens ein, um zu untersuchen, wie Gesten und Sprache Momente der Vertrautheit oder Fremdheit steuern.<\/p><p style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 15px;\\\">Alice Peragine (*1986, M\\u00fcnchen) studierte an der HfBK Hamburg und dem San Francisco Art Institute. Rizki Resa Utama (*1982, Bandung, Indonesien) absolvierte sein Diplom an der HBK Braunschweig und war dort Meistersch\\u00fcler von Candice Breitz.<\/span><\/p>\",\"type\":\"text\"}],\"addtostart\":true,\"randomOrder\":false,\"showMoreButton\":false,\"showMoreButtonStyle\":\"laybutton1\",\"moreButtonText\":\"Load More\",\"moreButtonAlignment\":\"center\",\"moreButtonSpaceTop\":20,\"nightMode\":false,\"roundedCorners\":0},\"horizontalIndex\":0,\"absolute_position\":false,\"zIndex\":0,\"frameOverflow\":\"\"}]}","phonegrid":"","_links":{"self":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/posts\/1172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/comments?post=1172"}],"version-history":[{"count":0,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/posts\/1172\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/media\/1327"}],"wp:attachment":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/media?parent=1172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/categories?post=1172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/tags?post=1172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}