{"id":1347,"date":"2025-04-01T09:01:31","date_gmt":"2025-04-01T08:01:31","guid":{"rendered":"https:\/\/nadarosaschroer.xyz\/imprint-copy\/"},"modified":"2025-04-07T07:41:58","modified_gmt":"2025-04-07T06:41:58","slug":"temporary","status":"publish","type":"page","link":"https:\/\/nadarosaschroer.xyz\/de\/temporary\/","title":{"rendered":"Imprint Copy"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-1347","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 31,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 1\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 8,\r\n \"mus\": {\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"topFrameMu\": \"%\",\r\n \"bottomFrameMu\": \"%\",\r\n \"frameMu\": \"%\"\r\n },\r\n \"bottomFrameMargin\": 1,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n },\r\n {\r\n \"relid\": 2\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Thank you for visiting \u2013 this website is still under contruction. Here are some preliminary bits about me:<\/span><\/p>

I work as a freelance curator based in Cologne and a research associate at the Institute for Art and Material Culture at the Technical University of Dortmund. With a penchant for (hydro)feminist science fiction and posthuman philosophy, I am interested in curatorial and artistic practices that address the ecological and social consequences of coloniality\/modernity and develope methodologies to \u201ehospice\u201c these systems<\/span><\/a> (see Vanessa Machado de Oliveira).<\/span><\/p>

My PhD research focuses on (post-)industrial water bodies in landscapes of extraction and the development of curatorial research methods for a paradigm shift in the relationship to water. Together with Nina Paszkowski<\/span><\/a>, I initiated the exhibition and research project\u00a0FLUID CIRCULATION \u2013 Hydrofeminist Explorations of Post-Industrial Landscapes <\/i>(2022\u20132023). Alongside the dance collective .DENCUENTRO, I launched\u00a0HydroLOVEgy<\/i>, a project that develops performative events for an embodied approach to water. Workshops and walks have taken place at the Max-Ernst-Museum Br\u00fchl, HMKV Dortmund, Cheers for Fears, University of Paderborn and Cologne, among others.<\/span><\/p>

Previously, I was a curator at the LWL-Museum f\u00fcr Kunst und Kultur M\u00fcnster\/LWL-Industriemuseen, a curatorial assistant at the Akademie der K\u00fcnste der Welt, and worked as a freelancer with institutions such as the Rautenstrauch-Joest-Museum for the exhibition RESIST!<\/i><\/span><\/a>,<\/i> PACT Zollverein for the festival BLUES SKIES<\/i><\/span><\/a>, Internationale Photoszene for Vibrant Waters<\/i><\/span><\/a> <\/i>or Sides of... Practice<\/i><\/span> <\/a>hosted by \u00a0<\/span>E-WERK Luckenwalde (together with Helen Turner and Lucia Pietroiusti). Since 2020, I regularly collaborate with the CCA Temporary Gallery, where I developed the programmes Towards Permacultural Institutions. Exercises in Collective Thinking<\/i><\/a>\u00a0<\/span>(2022, with Julia Haarmann and Aneta Rostkowska),\u00a0Curating Transformation: Allyship \u2013 Degrowth \u2013 Grounding<\/i><\/span>\u00a0<\/a>(2023, with Aneta Rostkowska), and\u00a0Instituting in Circles: Ecological Approaches in Art and Art Institutions<\/i><\/span><\/a> <\/i>(2022), as well as the exhibition Anne de Boer & Elo\u00efse Bonneviot: All of the Critters<\/i><\/span><\/a>\u00a0(2024) that took place in a community garden.<\/span><\/p>

In Leipzig and Mendoza\/ Argentina I studied Cultural Studies and Politics as well as Staging the Arts and Media in Hildesheim and Cultures of the Curatorial at the Academy of Visual Arts Leipzig. <\/span><\/p>

Some of my publications include \\\"Towards Permacultural Institutions: Exercises in Collective Thinking\\\"<\/span><\/a>, edited by Julia Haarmann and Nada Rosa Schroer, Stiftung K\u00fcnstlerdorf Sch\u00f6ppingen, 2023; and \\\"Curatorial Learning Spaces. Art, Education and Curatorial Practice<\/span>\u201c<\/a>, edited by Annemarie Hahn, Eva Hegge, Torsten Meyer and Nada Rosa Schroer, kopaed, 2023. Other texts have appeared in Nocturne<\/span><\/a>, Monopol Magazine<\/span><\/a>, Missy Magazine<\/span><\/a> and Philosophie Magazin<\/span><\/a>.<\/span><\/p>

If you would like to reach out, please don\u2019t hesitate to write me:
nrs st posteo de <\/span><\/p>

For updates please visit @_nada_rosa_<\/span><\/a><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 1,\r\n \"colspan\": 13,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 3,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/pages\/1347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/comments?post=1347"}],"version-history":[{"count":0,"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/pages\/1347\/revisions"}],"wp:attachment":[{"href":"https:\/\/nadarosaschroer.xyz\/de\/wp-json\/wp\/v2\/media?parent=1347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}